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Cité Radieuse by Le Corbusier @ Marseille

Talk Carpet Le Corbusier_1

The Cité Radieuse by Le Corbusier opened in 1952 in Marseille and is as current as ever in light of the COVID-19 pandemic. At the end of World War II, due to the lack of housing, the Minister of Reconstruction ordered a housing unit in Marseille. Le Corbusier proposed an experimental and innovative project. It aimed to radically renew traditional lifestyles, in particular by increasing the volume of buildings.

Le Corbusier received free rein to design this project, and as such, a new way of living emerged in France. He conceived the building as a vertical city in which literally every possible service was present. How wonderful would that be now? You can remain in lockdown yet have no reduction in comfort level.

In line with the vertical city concept, there are no hallways, only “streets.” Including street lanterns. Additionally, he drastically reduced the number of corridors, with each “street” providing access to three-floor levels. (each apartment is a duplex with an internal staircase). A whole series of stores were present, as well as on the rooftop, an open-air theater, a kindergarten / elementary school, a gymnasium, and a pool.

Like the four other housing units designed by Le Corbusier, he based the Cité Radieuse on the Modulor model, an architectural concept he invented. According to its objectives, it should provide maximum comfort in the relationship between man and his living space. It is a system he considers more suitable than the metric system because it is directly in line with human morphology. The first inhabitants of the Cité Radieuse were modest and middle-class families. Today, given the success of the residency, it is the senior executives and intellectual professions who are interested in living there.

CPR

cite radieuse corbusier marseille, Cité Radieuse by Le Corbusier @ Marseille
A typical “street,” which includes the same color blocking as found on the facade. Mind the boxes at the doors. Groceries are put in there by local stores while you’re away from home. Perfect for “contactless” delivery.

 

cite radieuse corbusier marseille, Cité Radieuse by Le Corbusier @ Marseille
“Streets” are purposely kept dark to keep noise levels down. The color blocks per apartment match the color blocks on the exterior facade.

 

cite radieuse corbusier marseille, Cité Radieuse by Le Corbusier @ Marseille
Searching for the original paint colors in one of the UNESCO protected apartments

 

cite radieuse corbusier marseille, Cité Radieuse by Le Corbusier @ Marseille
Part of the school complex which is still active today

 

cite radieuse corbusier marseille, Cité Radieuse by Le Corbusier @ Marseille
View on the rooftop gymnasium and public square at the open-air theater

 

cite radieuse corbusier marseille, Cité Radieuse by Le Corbusier @ Marseille
The levels without color blocking house all the shops, restaurants and services

 

cite radieuse corbusier marseille, Cité Radieuse by Le Corbusier @ Marseille
The North Eastern facade is purposely built without any windows since Marseille has powerful winds from that direction, which are called “Le Mistral.”

 

It is no secret that Paris has been the capital of fashion since the seventeenth century. The city has been the playground for prestigious designers and couture brands like Chanel, Dior, and Saint Laurent. Today the Parisian style is not only an aesthetic choice but a philosophy. It embraces elegance, timelessness, and slow responsible fashion. The focus is on the cut and the quality of the materials. No fluff or excessiveness with a less is more approach. And what better way to understand Parisian fashion than to visit a museum dedicated to it.

For more than 70 years, the house has been crafting magical couture pieces in their atelier at 30 Avenue Montaigne in Paris. Christian Dior has made this location a legendary address since the first collection in 1947. Behind its new flagship, the House of Dior inaugurates a permanent exhibition in an extraordinary gallery, independently of its boutique. Mr. Dior wanted to be an architect; the building and the museum pay him a beautiful tribute today.

The staging is astonishing. A circular staircase at the entrance showcases 452 dresses and 1,422 accessories, all 3D printed. Bags, shoes, perfumes, and small objects: so many testimonies of the Dior style materialized to elaborate this Diorama.